“The strength of this production hinges on the fine acting of Brionne Davis, whose gestures, timing, and driving moment-to-moment shifts are fueled by motivation and personality -with no breath for let-ups.”

“… Davis makes you want to slap him one moment, and hug him the next. He masterfully goes from scene to scene, from leading man to another leading man, showcasing a different side of Rob’s personality. Never cheating the viewer, only enticing you in to his web and spell. Rob is a narcissist at heart, and ultimately Brionne Davis realizes that he has to convey that in every aspect of his performance.

“You find yourself at one point rooting for Rob to prevail, only to wish he’d jump off a bridge. This leading man is one of Tinseltown’s most versatile actors. Remember the name… Davis has A-list is written all over him”

“I was impressed by Brionne Davis… He looks very much like Ralph Fiennes and played an out-of-control drunk and hustler beautifully, obviously a versatile actor.”

“Brionne Davis’ performance is brave, unprotected, revealing, and riveting with wit. The work is exhibited with such great grace and ease. I toss my theatrical hat way into the air for this talented young actor”

“Brionne Davis was remarkable…”

“Auto-Da-Fé” (1941) is another compelling story of extreme repression. The suffocating control of a New Orleans matriarch (Geffner) pushes her sickly son (Joe Massingil) to commit a desperate act.

“Director Brionne Davis elicits excellent work from the actors.”

“I was impressed by Brionne Davis… He looks very much like Ralph Fiennes and played an out-of-control drunk and hustler beautifully, obviously a versatile actor.”